Noise Mapping | Sound Pollution | Aural vs Visual

Picture 1Via TimeOut, the London Noise Map.

It’s a pretty sophisticated resource, with maps produced by postcode, time of day, major roads excluded or included etc.

What’s interesting about the article that accompanied the piece in TimeOut is that it showed that Londoners find road noise to be their great source of irritation. In a world obsessed by anti-social behaviour laws and apparently over-run by block-parties and noisy-neighbours, it’s actually traffic that is the most anti-social beast in town. I doubt I’d get very far trying to put in an ASBO on cars and scooters, but research like the London Noise project – funded by DEFRA – does give designers and architects the tools to try to reduce the impact road noise has on our lives.

On another point, I think it’s also fascinating that even though we have become such visual beasts – spending so much of our time staring at screens – anti-social behaviour is still essentially a majority aural problem. It’s very easy to close your eyes. It’s bloody hard to close your ears. One feels that there perhaps needs to be a rebalancing of effort here. So much time and money is spent improving the ‘look’ of our cities – the visual environment – but given this fact that it’s the aural that affects our perception of calm and peace, perhaps more ought to be spent on the ‘sound’ of our cities too.

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Comments

9 responses to “Noise Mapping | Sound Pollution | Aural vs Visual”

  1. Those survey findings chime with one done recently here, on a housing estate hemmed in by major roads, among children and young people up to 16 – for them noise was by far the greatest nuisance, car noise, sirens from local hospital / police and fire stations. Ask the older people and surveyers tend to mostly tick the box ‘youth disorder’, which generally amounts to youngsters shouting and yelling – as they do – in bus stops and chippies at night. In both cases excess noise signals danger – real or perceived. You’re right – noise is a major issue in making healthy cities. A major indicator. The London Noise project is a great idea and it looks lovely too!

  2. This is fascinating – thank you.
    It makes me wonder about ways in which we can work to create the kinds of aural environment that enhances calm and peace. Running/bubbling water would seem key to me; perhaps channeling wind (such as chimes, though small chimes can be a bit twee); and planting in ways to encourage birdsong (and screen-out traffic noise)…
    Also about the balance of creating space into which people can step-out of psychologically irritating background noise, alongside working to transform the overall picture. It’s not an either/or; and the former isn’t even a short-term measure along the way to the latter as long-term aim – at least, not if what we might be after is a textured soundscape…

  3. same info different perspective…….http://simonelvins.com/silent_london.html

  4. Dana Ames

    Hmm- perhaps the draw of country is its quietness, especially at night. There are plenty of sounds in the countryside, but they are sounds made by living beings, not machines. -children notwithstanding 🙂
    Dana

  5. Strange experience: take a bunch of city-dwelling kids to the countryside where it’s totally silent at night. And they get a bit scared. They start ‘hearing things’… their ears compensating for the lack of hum by inventing noises for them.

  6. Hmmm. I agree Kester. I wonder about the upsurge in use of the iPods etc – the retreat into aural worlds of our own choosing – one way to ‘close’ your ears. Shut your eyes, turn on you iPod and you’re in another ‘place.’

  7. Good point Paul. The question might then be, has the upsurge in personal aural spaces exacebated the problem once the earphones are out? Are people now less tolerant of noise that they can’t control with devices?

  8. it was recognising that by being plugged into my own music source when journeying through town that i was missing something. found that being squashed amongst others was more annoying when i couldnt hear them, people that bumped into me were less real, less human, just an annoyance, doing it to specifically piss me off.
    you miss alot of the richness when you moderate your environment, when you listen to your own individual soundtrack.
    the real soundtrack to the city changes as you move through it, many places sound quite distinct. plus there’s that joy of the unexpected that comes from the half heard conversations, from the music coming from bedroom windows. the rhythm of walkers, or changes in floor materials. the way all
    yes there is a whole of white fuzz; someof which is down right irritating, but there is only one noise that I really would do without completely….the tinny sound that comes from other peoples headphones.
    im much happier moving through the city now that i can hear it.

  9. Ruth Williams

    The Aural Environment seems to constantly be under threat as more sources of, and louder noises become acceptable. Part of the human condition is the need to wonder and to follow unstructured thought processes much as described by ‘Kester’ in the listening to aural cityscapes; much of the ‘polluting’ sounds produced are regular in pattern, often too loud and counterproductive to these processes. I would say that aural pollution is about more than irritation and stress, I believe that continued subjection to certain sound styles (piped music, mobile ringtones,TV as background, bleeps at the supermarket), reduce the power of independent thought. Recently I complained to a car park attendant at Kennack Sands, a beautiful and peaceful beach site of special scientific interest, who was playing loud disco music from his van, I wanted the peace and quiet to begin as I arrived in the car park, his opinion was that I should be content to scurry to the beach and out of earshot. I pointed out that a precedent of innappropriate noise levels was being set and the incident set me wondering about the whole issue of aural pollution and why I found the music so irritating. I really need a gentle soundscape from time to time.