Posts By: KB

Means, and Ends

For Manchester, a new poem. –//– Click here to receive updates, and hear first about new projects

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‘No Speed Limit’ – Accelerate

Great quick overview of accelerationism. Terrifying, but hugely relevant.  ‘For decades longer than more orthodox contemporary thinkers, accelerationists have been focused on many of the central questions of the late 20th and early 21st centuries: the rise of China; the rise of artificial intelligence; what it means to be human in an era of addictive,

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Mark Fisher

Not sure how I missed this in January, but genuinely saddened to hear that Mark Fisher has died. Very open about his struggles with mental health, he took his own life. There’s a fantastic summary of his huge influence on cultural theory here, and also here. On a more personal level, I was hugely impressed

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Trump vs The Prince

‘It is not reasonable that they know how to rule, having always lived as private citizens… the first bad weather kills them.’ Reaching for something to read before bed the other day, I pulled down Machiavelli’s classic book on the dark art of state-craft, The Prince. Chapter VII begins thus: 500 years before Trump, it

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The Cloud of All-Knowing | Democracy and Demagogues in the Age of Data

  “True power is not the strength to force someone into slavery, but to make them happily lock their own manacles, as if chains were adding to their liberty.”  Yesterday The Observer published a long and detailed piece that attempted to join (some of) the dots between the ‘big data’ socio-political technology firm Cambridge Analytica, and

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From Russia, With Chaos

Over the past couple of weeks I’ve been re-reading Peter Pomerantsev’s book Nothing is True and Everything is Possible, each page pushing me towards the same, slightly counterintuitive conclusion: if you want to understand Trump’s America, you need to look to Putin’s Russia. I first read the book when a colleague – a history teacher I’d

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Theology and Fiction: Telling Stories of Order Amidst The Chaos

I just this week finished John Yorke’s book Into the Woods: How Stories Work and Why We Tell Them. It was recommended by a good friend who’s a director in theatre and is also now writing for television. She insisted that I read it before I began any more writing. I’m really glad I did, for

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